Vintage Microphone Showcase & Comparison

Long before “vintage” became a marketing term, microphones were built to solve real problems: cutting through loud bands, rejecting feedback on live stages, surviving daily broadcast abuse, and capturing voices clearly for radio, television, film, and the stage. With Warner AV being in business for 50+ years, we’ve built up quite an inventory of microphones. […]

A Seamless Collaboration: Warner AV and The Horvath Group Shine at Reynolds’ Tucson Event

Step into the world of Warner Audiovisual and The Horvath Group’s collaborative masterpiece as we unveil the magic behind Reynolds’ recent Tucson event. From the captivating glow of a LED wall to the seamless orchestration of sound and recording, join us on a journey where innovation meets inspiration.

Power Play: Why Your AV Project Manager Must Understand Venue Power Drops

Effective power management is essential in audio-visual event production. This article emphasizes Warner AV’s meticulous approach to power planning for audio components, projectors, and site visits, ensuring safety, clear sound, seamless visual presentations, and flawless execution of corporate events and trade shows.

The Difference Between Doubling Sound Power, Sound Amplitude, and Subjective Perceived Loudness.

This article demystifies the concept of decibels (dB) in sound measurement, explaining how perceived changes in loudness are condensed into a scalable format. It clarifies common misconceptions by detailing specific conditions under which sound “power,” “amplitude,” and “subjective loudness” can lead to increases of 3dB, 6dB, and 10dB, respectively, using practical examples from audio engineering and everyday scenarios.